Wednesday, January 8, 2014

Songless Movies

While movies without songs are a common phenomenon in Indian movies today, it all started as musicals once upon a time.

Neethi (Click for details) in malayalam was remake of Hindi film "Kanoon" - 1960 directed by B R Chopra starring Ashok Kumar, Rajendrakumar, Nanda etc . This was the first songless movie in Malayalam once the talkies came in existence

Kanoon was a super hit while Neethi flopped at the box office 

In Tamil - "Andha Naal " -1954 - directed by Veena S Balachander was the first songless film for that language. The film was a huge hit with Sivaji Ganeshan in the lead role   This was a murder mystery

Kanoon, Neethi, Andha Naal -were all songless films were based on murder mysteries !!


In Hindi, the Wadia Movietone film "Naujawan" - 1937  was the first songless film.  Munna" 1954 directed by K A Abbas might be the second songless Hindi film 

Tuesday, January 7, 2014

Movies Made in Several Languages

One of the fads of 1950s was to create movies in multiple languages at the same time. The motivation must have been to reduce the overhead costs while producing as well as to get the popularity of one movie translated into the other languages. While dubbing was prevalent during those days, the motivation for remaking, sometimes simultaneously, was intended to cash in on the stars (actors) known to a particular language.

Here are a couple of examples both from 1957. There are more we will address later.

1. Devasundari

 (Click for More Info from MSI): This movie perhaps has the record of being made in 5 languages SIMULTANEOUSLY 

Released on the Christmas day in 1957, Devasundari was a phenomenal box office flop despite having 20+ songs in Malayalam and didn't do that well in any other languages either. Another unique aspect of this movie is that it had the same name 'Devasundari' in all languages.

During an interview with yours truly, Jose Prakash once said that he acted in Tamil as well as malayalam 

Here are details from all languages:

  1. Tamil  Direction - H V Babu  Stars - Madhuridevi, Lakshmikantham, T R Mahalingam etc
  2. Telugu - Direction H V Babu  Stars - Sowcar Janaki, Kantha Rao
  3. Malayalam  Direction - Nambiyar   Stars - Sahtyan, Nazir, Kumari Thankam
  4. Kannada  Direction - C V Raju  Stars - B Saroja  Devi, Muthuraja, Kalyankumar etc
  5. Sinhalese   Direction - K C Krishnamoorthy  Stars - Florida, A T Junior, etc 
2. Thaskaraveeran

(Click here for More Info from MSI): This movie in fact did one better than Devasundari in languages. They released it in 6 languages, although that happened over a span of 4 years. The names of the movies in different languages were different too.
  1. Malaikkallan - Tamil 
  2. Aggiramudu - Telugu 
  3. Azaad - Hindi 
  4. Bettada Kalla - Kannada 
  5. Thaskaraveeran - Malayalam 
  6. Shoorasena - Sinhalese 

Monday, January 6, 2014

Omanakkuttan (1964)

Thikkurissi Sukumaran Nair, Sathyan, S. P. Pillai, T. K. Balachandran, Ambika, Chandni, Baby Vinodini, Pankajavalli etc.

Popular novelist Thakazhi Sivasankara Pillai is well known for the varied social subjects that he chose for his literary works. ‘Maatta Kalyanam’ or exchange marriage, a form of marriage involving an arranged and reciprocal exchange of spouses between two families was the subject for the filmOmanakkuttan , which was based on a short story written by him. Produced by KKS Kaimal under the banner of Keralasree Productions, the script and dialogues of the family drama was written by Thoppil Bhasi. The film was released on October 8, 1964.
Directed by K. S. Sethumadhavan, the film was shot at Neptune and Newton studios. Music by G. Devarajan was the highpoint of the film.
Sankunni Nair (Thikkurissi) lives happily with his children Bhavani (Ambika) and Govindan Nair (T. K. Balachandran). Through a marriage broker, Paramu Pillai (S. P. Pillai), he arranges an ‘exchange marriage’ with the family of Kunjulakshmi Amma (Pankajavalli). Bhavani’s marriage is fixed with Kunjulakshmi Amma’s son N. P. Pillai (Sathyan) and Govindan Nair’s marriage with her daughter Yashoda (Chandni).
To the dismay of the two families, Yashoda’s marriage with Govindan Nair could not be conducted on the fixed date. She fell ill and the marriage was postponed. Along with his wife, Pillai returns to Madras where he is employed. Pillai and Bhavani lead a happy life. The marriage between Yashoda with Govindan Nair is cancelled once again this time because Govindan Nair is busy with official commitments.
Bhavani, who is pregnant, comes back to the village. Another date is fixed for the wedding of Govindan Nair and Yashoda is fixed. This time it is cancelled for shocking reasons. Govindan Nair is forced to marry Sreedevi (Sukumari), his colleague, whom he loved and was pregnant by him. In fact, they get married a day before Govindan Nair’s marriage with Yashoda. The incident deranges Yashoda and paves the way for the split between the two families. Pillai, who comes on leave for the marriage of his sister returns to Madras without even meeting his wife and new born child. He later flies to the US on an official assignment.
Pillai returns. Kunjulakshmi Amma dies after a prolonged illness. Sankunni Nair who comes to attend the funeral is insulted and driven away. Pillai’s little son Omanakuttan (Baby Vinodini) is shocked at the rude behaviour of his father whom he meets for the first time.
Omanakuttan is a ‘disturbed child.’ In school he is teased by his classmates. Plunged in agony the boy develops fever and is hospitalised. The boy’s condition melts Pillai’s heart. He rushes to the hospital to see his son. The boy recovers in the presence of his father. Yashoda regains her mental equilibrium bringing about a happy reunion of the shattered family.
The songs written by Vayalar Rama Varma were set to tune by Devarajan. The film also included a traditional song Kani kaanum neram … by Poonthanam set in ragamalika (and sung by P. Leela and Renuka, which became very popular. The other hits include, Aakasa Gangayude karayil … (solo versions by A. M. Raja and P. Susheela), Ashtami Rohini rathriyil … (Susheela) , Illatthamma kulichu varumbol … (Susheela-Leela), Kuppivala kaikalil … (A. P. Komala-chorus) and Thaaraattu paadaathe thaalolamaadaathe … (Susheela).
Will be remembered: As a good social movie and for its memorable songs.

Tuesday, November 5, 2013

Sathyabhama (1963)


Prem Nazir, Thikkurissi Sukumaran Nair, Kottarakkara Sreedharan Nair, T. K. Balachandran, Ambika, L. Vijayalakshmi, Junior Padmini etc.

Popular producer T. E. Vasudevan produced several Malayalam films with a social message. He produced entertainers such as Nayaru Pidicha Pulivaal (1958) also. Satyabhama, released on April 13, 1963, is the only mythological film produced by him. A big budget film which featured the popular stars of the time was a failure at the box office. In a recent interview with the legendary film producer, he said it was the low budget films that brought him more popularity and collection at the box office. His very next film after Satyabhama was a low-budget social film Kuttikkuppayam (1964), which was a roaring success and made up for the failure of Satyabhama.

Produced under the banner of Associated Producers, Satyabhama was directed and edited by M.S. Mani. Shot at Golden Studios, Madras, the film had brilliant cinematography by Mehli Irani and dialogues, which were written by Ponkunnam Varkey.

The playful mythological film featured three important episodes from the Bhagavatha Purana, the sacred text of Hindus. The episodesi n the film were Bhama Parinaya (Sree Krishna’s wedding with Sathyabhama), Parijatha Pushpaharana (the rivalry between Rukmini and Sathyabhama, the consorts of Krishna on account of the sacred flower Parijaatha) and Sree Krishna Thulaabhaara (Sathyabhama’s pride being doused by Rukmini’s devotion). Paarijaatha PushpaaharanamBhama ParinayamSyamanthakamaniKrishna ThulaabhaaramPaarijaathamPaarijaatham
Lord Krishna (Prem Nazir) alleged of stealing the magical gem Syamanthaka by killing Prasena (Kottarakkara), brother of King Sathrajith (Thikkurissi), proves his innocence in the case. Krishna weds Sathrajith’s daughter Sathyabhama (Ambika). Possessive of her husband’s love, Sathyabhama’s rivalry with Krishna’s other wife Rukmini ( L. Vijayalakshmi) leads to the controversy over the sacred flower parijaatha. The ensuing incidents lead to trials in the lives of Sathyabhama and Rukmini when Krishna was given as “daana” (gift) to Narada (T. K. Balachandran) as a part of a ritual. While Sathyabhama’s wealth fails to release Krishna from the possession of Narada, the true devotion of Rukmini succeeds in getting back their husband from the custody of the sage.

Sando Krishnan as Jambavan, Junior Padmini as Jambavathi, G. K. Pillai as Shathadhanvavu and C. R. K. Nair as Balarama impressed the audience. Hilarious comedy scenes involving S. P. Pillai, Adoor Bhasi and Adoor Pankajam as usual gave moments of laughter.

Twelve songs written by Abhayadev were set to tune by V.Dakshinamoorthy. The solo by P. B. Sreenivas Mannavanaayaalum pandithanaayaalum… was an instant hit.

Other hits include Oru vazhi chelken… (S. Janaki), Prakasharoopa… , Prabhathakaale brahmaavaay… (Both by K. J. Yesudas), Vaadaruthee malarini… (K. P. Udayabhanu, P. Leela), Maathey jaganmaathe…, Mathi mathi maya leelakal… (both by Leela).

Will be remembered: As a good mythological film and for the music, especially for the song Mannavanaayaalum… 

Friday, October 25, 2013

Kattukurangu (1969)

Sathyan, K. P. Ummer, P. J. Antony,Jose Prakash, Adoor Bhasi, Sarada, Jayabharathi, Meena etc.


A staple theme of Indian cinema down the years has been family conflicts arising out of various real life situations. And in such social melodramas, ‘the other woman’ has been a favourite subject. Malayalam films like Ponkathir (1953), Mariyakkutty (1958), Bharya (1962) etc. are examples and all these films were huge hits. Kaattukurangu , released on February 6, 1969, was a screen adaptation of the popular novel of the same title written by the popular novelist and critic K. Surendran, first published in 1952. Produced by Ravindranathan Nair (General Pictures Ravi), under the banner of General Pictures, the film is considered as one of the best social films in the language. The script and dialogues were by the novelist himself. Directed by P. Bhaskaran, the film was shot at Vasanth” and Vikram studios. Cinematography by E. N. Balakrishnan, editing by K. Sankunny and K. Narayanan and music by G. Devarajan were the highpoints of the film.

Popular stars like Sathyan, K. P. Ummer, P. J. Antony, Adoor Bhasi, Sarada, Jayabharathi, Kaviyoor Ponnamma and Meena played important roles in the film. Jose Prakash impressed in a cameo role and the song picturised on him turned a hit. Music directors B. A. Chidambaranath and M. B. Sreenivasan appeared in guest roles.

Prabhakaran (Sathyan), an editor in a news paper lives happily with his wife Minikkutty (Sarada) and children. Das (Jose Prakash), a popular singer, visits Prabhakaran. The singer, while singing, dies of a heart attack at Prabhakaran’s house. Prabhakaran decides to fulfil Das’s last wish – enrolling his daughter Ambili (Jayabharathi) at the music academy. Prabhakaran brings Ambili and her mother Kamalam (Meena) to his house. Prabhakaran’s adoration towards Ambili’s singing talent transforms into infatuation. Minikkutty is aware of this but keeps quiet so as not to create a conflict in the family.
Ambili successfully completes her studies. Chakrapani (K. P. Ummer) son-in-law of Vasavan (P. J. Antony), co-editor in Prabhakaran’s newspaper is a playwright and actor. His falls for Ambili. He leaves for Madras with Ambili promising to make her a playback singer. His wife Thulasi (Kaviyoor Ponnamma) fails to stop her husband from going. Ambili’s mother Kamalam also accompanies them. Prabhakaran and Minikkutty tried to convince Ambili and Kamalam about the danger of entering the world of cinema. But drawn by the glamour and money they do not listen to their advice.
In Madras, Ambily gets entangled in difficult situations. She seeks the help of Prabhakaran who leaves for Madras. Minikkutty attempts suicide. Prabhakaran returns home with Ambili. Minikutty survives. They are all willing to forget and forgive. Minikkutty realises the commitment of her husband towards the family. The film ends on a very happy and positive note.

Sarada and Sathyan excelled in their roles. The comic interlude involving Adoor Bhasi, who also lends his voice for three songs, impressed.

All the songs written by P. Bhaskaran and set to tune by Devarajan were extremely popular. Naadabrahmathin sagaram neendi varum … (K. J. Yesudas), Ariyunnilla bhavaan …, Marodanachu njaan …, Kaarthika rathriyile …, Vidyarthini njaan … (All P. Susheela) are the all-time favourites. The other hits include Kallu kulangare …, Syamalam gramarangam …, Utthara Mathurapuri … (Adoor Bhasi) and Pankajadala nayaney …(Kamalam).

Tuesday, October 15, 2013

Nizhalaattam (1970)

Sheela and Prem Nazir in a scene from the film.

The Hindi film Kismet (1943), produced by Bombay Talkies and directed by Gyan Mukherji was the first successful Indian film to cast a popular hero in a ‘negative’ role. The unusual success of this social film prompted producers and directors in the South to adapt screen stories with such ‘negative characters’ in pivotal roles. In Tamil, the Sivaji Ganeshan-starrer films Thirumbippaar (1953) and Andha Naal (1954) are examples. Both these films were huge hits. M.G. Ramachandran was cast in a negative role in the Tamil film Panakkari (1951), the film flopped. N. T. Rama Rao donned the role of Ravana in the Telugu mythological blockbuster Seetharama Kalyanam (1961). In the Telugu films Devatha (1941) and Swargaseema (1945), the superstar of early Telugu cinema, Chittoor V. Nagiah was cast in pivotal negative roles. And in the all-time Tamil hit Manthrikumari (1950) the negative character played by S. A. Natarajan became as popular as that of the hero played by MGR.

The success of such movies prompted Malayalam film producers to join the bandwagon. In Neela Productions’ Jailpully (1957) Prem Nazir was cast in a negative role. Sathyan did a similar role in Bharya (1962) and Adyakiranangal (1964).

Nizhalattam, released on July, 31, 1970, cast Prem Nazir, the eternal romantic hero of Malayalam cinema, as a ruthless villain. The film was a huge hit.

Apart from scripting and writing dialogues for films based on his published literary works, popular novelist and short story writer M. T. Vasudevan Nair wrote scripts and dialogues for stories developed by him specifically for films. Nagarame Nandi (1967) was the first in the series. Nizhalattam was another.

Produced by Hari Pothan for Supriya Films the film was shot at AVM Studios. One of the best directorial ventures of A. Vincent, the cinematography of this black and white classic was by A.Venkit and Surya Prakash. The music composed by G. Devarajan was highlight of the film.

This was the debut film of Sudheer. Nilambur Balan, Jose Prakash, Balan K. Nair, Govindankutty, Parur Bharathan, Devika, etc. acted in guest roles.

Karunakaran (Thikkurissi), a rich businessman has brought up his sons Raveendran (Prem Nazir) and Haridas (Sudheer) under strict control and discipline. His wife (Kaviyoor Ponnamma) always pretended to be seriously ill as a sort of protest against her husband’s relationship with his concubine (Devika). Unable to bear Karunakaran’s inhuman behaviour Haridas leaves home.

Karunakaran expires and Raveendran takes charge of his father’s business and vast assets. Addicted to wine and women Raveendran leads a vagrant life. He marries Santha (Sheela), daughter of a poor school teacher. Raveendran threatens Haridas who returns and manages to keep him under this thumb. Raveendran’s friends assemble in his home for parties and very often his home is virtually converted to a bar. Raveendran even attempts to molest Madhavi (Bhanumathi) the servant of the house. Unable to tolerate the misdeeds of his brother, Haridas leaves home along with his mother. Madhavi gives them shelter in her house.

Raveendran’s business goes bust and he loses all his wealth. He becomes bankrupt and even attempts to ‘sell’ his wife Santha to Chettiar (Nilambur Balan), one of his creditors. In her attempt to save herself from Chettiar, Santha falls down from the terrace of a building and dies. Raveendran is thrown out on the streets. The film points a finger at the evils of an unethical life.

Prem Nazir excelled in his negative role. The film dispensed with hilarious scenes. Kaviyoor Ponnamma and Sheela also impressed.

The songs written by Vayalar Rama Varma and composed by Devarajan became hits. Swargaputhri navarathri… (K. J. Yesudas), Yakshaganam muzhangi…. (P. Susheela), and Devadasi alla njaan… (L. R. Easwari) were the most popular of them. The other hits include Chillaattam parakkumee…. (P. Madhuri), Dhaliya pookkale chumbichu… (Susheela) and Indrajalakkara… (Easwari).
Will be remembered: As the debut film of Sudheer; as an unusual film with Prem Nazir in a negative role and for the excellent music, especially for the song Swargaputhri navarathri….